Opera Studies

Recognized as one of the foremost opera training programs in the world, Manhattan School of Music’s opera program attracts some of the most talented young singers from the United States and more than forty other countries. Students refine their technique and develop their artistry under the guidance of a faculty of eminent artist-teachers while gaining exposure before New York City audiences.

Headed by Dona D. Vaughn, Artistic Director, and Gordon Ostrowski, Assistant Dean, Opera Studies/Opera Production, the program is internationally known for its excellence.  Each year two fully staged productions are presented, which span the classical and contemporary repertoire. Praised by the New York Times for its significant contribution to operatic life in New York, Manhattan School of Music has a long and proud tradition of producing some of the finest artists singing throughout the world today.

Each season Dona D. Vaughn directs one mainstage production, as well as the Senior Opera Theater, which is required of all senior voice majors. Students have an opportunity to work with leading professional directors and conductors in the other production of the season, as well as in the Opera Scenes program that is presented each fall.

Students accepted into the Opera Studio also have the opportunity to participate in a comprehensive outreach training program, including Discover Opera! and an abridged classic opera, Amato’s Opera-in-Brief. Gordon Ostrowski directs the Opera-in-Brief, as well as the Junior Opera Theater, which is required of all junior voice majors.

Other important elements of the opera program are the Opera Workshop and Opera Lab, which provide appropriate venues for singers to develop
 stagecraft and dramatic interpretation as well as gain additional performance experience.

Specific courses and degree sequence plans can be found in the Course Catalog.

Albany Records has released professional recordings of numerous Manhattan School of Music productions.

Purchase recordings from Albany Records >

Performance History

2014–15

Macbeth, Ernest Bloch 

Die Zauberflöte,
W.A. Mozart

2013–14

The Mother of Us All, Virgil Thomson 

Orlando Paladino,
 Franz Joseph Haydn

2012–13

Thais, Jules Massenet 

Aufsteig Und Fall der Stadt Mahagonny,
 Kurt Weill

2011–12

Cosi fan tutte, W. A. Mozart 

The Ghost of Versailles,
John Corigliano

2010–11

Summer and Smoke, Lee Hoiby

El amor brujo and La vida breve, Manuel De Falla

2009–10

Pénélope, Gabriel Fauré

Le nozze di Figaro, W. A. Mozart

2008–09

Later the Same Evening, John Musto

Die Fledermaus, Johann Strauss

2006–07

L’Italiana in Londra, Domenico Cimarosa

Griffelkin, Lucas Foss

2005–06

Cendrillon, Jules Massenet

A Dinner Engagement, Lennox Berkeley

2004–05

Beauty and the Beast, Louis Spohr

A Month in the Country, Lee Hoiby

2003–04

Mirandolina, Bohuslav Martinu

A Midsummer Night’s Dream, Benjamin Britten

2002–03

Béatrice et Bénédict, Hector Berlioz

The Seagull, Thomas Pasatieri

2001–02

Der Wildschütz, Albert Lortzing

Amelia Goes to the Ball, Gian Carlo Menotti, and Roman Fever, Robert Ward

2000–01

The Rape of Lucretia, Benjamin Britten

The House of Seven Gables, Scott Eyerly

1999–2000

Il matrimonio segreto, Domenico Cimarosa

A Death in the Family, William Mayer

1998–99

Le comte Ory, Gioacchino Rossini

Two Widows, Bedrich Smetana

Faculty

Dona D. Vaughn

Artistic Director, Opera

Gordon Ostrowski

Assistant Dean,
Opera Studies/Opera Production

William Tracy

Head Coach

Mark Janas  (Vocal Coach)
June Marano-Murray  (Vocal Coach)
Gordon Ostrowski  (Assistant Dean, Opera Studies/Opera Production)
LeAnn Overton  (Vocal Coach)
Jorge Parodi  (Vocal Coach and Music Director of Senior Opera Theater)
Scott Rednour  (Vocal Coach)
Elizabeth Rodgers  (Vocal Coach)
William Tracy  (Head Coach)
Dona D. Vaughn  (Artistic Director, Opera)