Sherry Sylar and Leonard Bernstein, photographed in 1989.
Sherry Sylar: The key to a great audition is to present a beautiful sound, display musical character — no playing it safe! — and of course it must be in tune and rhythmical. But I always listen for the sound, control, and musicality first.
Sherry Sylar: The students are positive, full of enthusiasm and initiative, supportive of their colleagues, and fun to be around.
“The key to a great audition is to present a beautiful sound, display musical character — no playing it safe!” Sherry Sylar MSM oboe faculty member
“The key to a great audition is to present a beautiful sound, display musical character — no playing it safe!”
Sherry Sylar
MSM oboe faculty member
Sherry Sylar: We have a wonderful reed room! There is great equipment available for the students to use, which saves having to make the purchase of expensive machines. The space offers a wonderful opportunity to exchange ideas, to get acquainted with fellow students, and to relax when the going gets tough. This year we are starting a Bach Aria Week in order to collaborate with vocalists, continuo teams, and a wonderful visiting Bach/baroque specialist, Raphael Fusco, an MSM alum! We also always present a studio recital for those students not playing a solo recital during the semester. I’m looking for as many performance opportunities as we can offer.
Sherry Sylar: I listen to WBGO, a local Jazz radio station. I love the variety of jazz they present. I’m way too critical when I listen to classical music; it is not relaxing for me!
WATCH: Sherry Sylar shows us "What's In My Case?" in collaboration with the New York Philharmonic.
“The students are positive, full of enthusiasm and initiative, supportive of their colleagues, and fun to be around.” Sherry Sylar MSM oboe faculty member
“The students are positive, full of enthusiasm and initiative, supportive of their colleagues, and fun to be around.”
Sherry Sylar playing with the New York Philharmonic.
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